This is the fourth review of the nominees for the World Fantasy Award for best short fiction in 2015. Winners will be announced in October. Other reviews are here, here and here. The Spanish translation following this post is by Daniela Toulemonde.
“The Heat of Us: Notes Toward an Oral History” by Sam J. Miller relates an alternative history of the Stonewall riots in 1969 and the mix of tensions that led up to the initial rebellion. Employing a creative story structure that features passages from oral interviews with people at the event, Miller doesn’t focus on a new timeline, but explores the mystery of an imagined trigger event on a night in history that actually did mark a significant change the LGBTQ movement.
Readers are introduced to several characters at the Stonewall that night. One of the primary characters is Craig Perry, a gay black man furious with a world that has imposed such tremendous loneliness upon him and injustice on the people he identifies with. The other central character is Ben Lazzarra, a cop who is unable to tell even his twin brother (also a cop) that he is gay. The story evolves as each character describes the events leading up to their decision to go to the club and what they experienced the night of the trigger incident. The compiler of these interviews, a former NY Times reporter, narrates the story from a distance, explaining the significance of the raid for the movement and the inability to authenticate the supernatural occurrences that witnesses reported, while also repenting for her own culpability in the oppression of LGBTQ people. Continue reading
This is the third review of the nominees for the World Fantasy Award for best short fiction in 2015. Winners will be announced in October. Other reviews are here and here. The Spanish translation following this post is by Daniela Toulemonde.
“The Deepwater Bride,” by Tamsyn Muir, has found lots of fans this year. It’s been nominated for the Shirley Jackson Award, the Nebula, and a Eugie Foster Memorial Award for Short Fiction as well as the World Fantasy Award (and who knows what else I’m missing).
“Bride” is a delightful piece of weird fiction–thoroughly infected with the Lovecraftian mythos yet confounding it at the same time. (You can read Muir’s comments on how this came about at the Fantasy & Science Fiction website.)
In a familiar, yet not-quite-normal small town, we are introduced to Hester Blake, a lonely teenager who has inherited the gift of prophecy. It’s part of her birthright in a family that has chronicled the ebb and flow of appearances by “the many-limbed horror who lies beneath the waves” for generations. She lives with an aunt at the edge of town and the edge of society, never quite fitting in with other people, who are slated for destruction, and resigned to the fate of not lasting very long themselves.
Be warned–spoilers ahead. Continue reading
I wanted a short story–something I could whip out before I start working on the third draft of the WIP. I’ve got a novella. Dang it. Why? It’s going to require a good bit more work, and not only is it 14,000 words, more or less, this unwieldy ghost story is now telling me I need to put the current first-person narration in present tense instead of past.
Maybe it doesn’t need to go into present tense?
I know I should stick with one tense or the other, but here’s the thing. I’ve got a narrator who is dealing with otherworldly events in the present that can only be understood properly by said narrator explaining to the reader what happened in the past. This should not be so difficult to figure out, but it is.